Northern Michigan. A young woman is kidnapped and her boyfriend murdered. Her
                    passport photographs, taken only moments earlier, don’t show the expected smiling
                    portraits. Instead, they display nightmarish images of the terrified girl.
                         The photographs fascinate Mulder. Scully tries to find a logical explanation: the pictures
                    were planted, or the film is damaged. But to Mulder, they are an example of “psychic
                    photography”: the paranormal ability to create images on film with the mind. Mulder
                    theorizes that the suspect doesn’t even know he possesses this gift…and that the
                    photographs reveal the killer’s darkest fantasies.
                         The kidnap victim is found: alive, but almost brain-dead. Her abductor had given her a
                    primitive, botched lobotomy with an ice pick inserted through her eyes. Her mind almost
                    gone, she endlessly repeats the word “unruhe.”: the German word for “trouble” or “unrest.”
                    Soon, the kidnapper abducts and kills again.
                         Scully realizes that the same construction company had job sites near each crime
                    scene. While Mulder is in Washington to examine the photos at the FBI labs, Scully follows
                    up on her lead. She knows foreman Gerry Schnauz is the kidnapper by his terrified reaction
                    to the word “unruhe.” She arrests him.
                         Schnauz is a formerly institutionalized paranoid schizophrenic with a history of violence.
                    When confronted by the photographs of his victims, he’s startled at the sight of his own
                    paranoid delusions brought to life on film. Admitting the crime, he tells them where to find
                    his other victim. She too has been lobotomized.
                         Schnauz kills a guard and escapes from jail. He returns to the scene of the first crime to
                    steal the camera and film. Mulder’s blood runs cold when he sees exposed photographs of
                    Schnauz’s next victim: Scully! Now, Mulder’s only hope of saving her is studying the photos
                    to get deep inside Schnauz’s mind.
                         In captivity, Scully, too, must use everything she knows about Schnauz to keep herself
                    alive. But she can’t talk him out of his delusions. It won’t be long before he wields the
                    icepick to rid Scully of the “unruhe” he believes is tormenting her.
                         Mulder’s insight into the madman’s mind leads him to Schnauz’s dark den. With hardly a
                    moment to spare, he shoots Scully’s kidnapper. And finds one last series of psychic
                    photographs: Schnauz — shot dead on the floor. 
THE X-FILES “Unruhe” #4X04
                                               Original Air Date: 10/27/96
                                                       CAST:
                                      DAVID DUCHOVNY as Special Agent Fox Mulder
                                     GILLIAN ANDERSON as Special Agent Dana Scully
                                                    GUEST CAST:
                                            PRUITT VINCE as Gerry Schnauz
                                             SCOTT HEINDL as the byfriend
                                         SHARON ALEXANDER as Mary LeFante
                                            WALTER MARSH as the druggist
                                          WILLIAM MACDONALD as Officer Trott
                                           RON CHARTIER as Inspector Puett
                                            MICHELE MELLAND as the doctor
                                              ANGELA DONAHUE as Alice
                                                    WRITTEN BY:
                                                  VINCE GILLIGAN 
                                                    DIRECTED BY:
                                                    ROB BOWMAN
 
		
	
	
	
